"The Crimson Petal and the White"

London, 1870s. At the heart of this panoramic narrative is a young woman’s struggle to lift her body and soul out of the gutter. Sugar, a nineteen-year-old whore in the brothel of the terrifying Mrs. Castaway, yearns for a better life. Her ascent through the strata of Victorian society begins with the egotistical perfume magnate William Rackham. Infatuated with Sugar, William’s patronage brings her into the circles of his family and milieu: his wife who barely overcomes chronic hysteria to make her appearances during “the Season”; his mysteriously hidden-away daughter, left to the care of minions; his pious brother, foiled in his devotional calling by his lust for the Widow Fox; as well as preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all stripes and persuasions.

Twenty years in its conception, research, and writing, The Crimson Petal and the White is teeming with life, rich in texture and incident, with breathtakingly real characters.

Michel Faber’s tale of love and lust in the Victorian Era, The Crimson Petal and the White, was hailed as “a Dickensian novel for our times.” Now a major BBC TV drama, the saga of a prostitute named Sugar and the man who longs to possess her captured hearts and left readers desperate for more (The Guardian, UK).

In The Apple, Faber returns to Silver Street to find it still teeming with life, and conjures further tantalizing glimpses of Sugar, Clara, William, Mr. Bodley and many other favorites. For both fans of the novel and newcomers to this rich and historically vivid world, The Apple confirms that “Michel Faber is a master of the short-story form” (The Times Literary Supplement, UK).

The bestselling novel also became a miniseries, which I reviewed here